The rollback of censorship in the 1960s broke any restraint on literary fiction in the U.K. and the U.S.A. in its representation of increasingly graphic sexual content on the page. In the decades that followed, technological advances in the recording and dissemination of explicit still and moving images fuelled the exponential expansion of the sex industry. This dissertation shows how pornographic motifs in fiction by four major writers reflect the incursion of pornography into the public arena. It follows two intertwined chronologies: the work of Englishmen J.G. Ballard and Martin Amis and Americans Thomas Pynchon and David Foster Wallace, and the responses of waves of feminist critics to the rise of porno-driven media. The sexual image in...